Fwd: Music and Torture - Fri, 5/15 - Bard College

The Human Rights Project and the Center for Curatorial Studies
at Bard College invite you to join us at a one-day conference on

MUSIC AND TORTURE

to be held in conjunction with the opening of, and taking place at, Olafur
Eliasson's "Parliament of Reality" installation, on Friday 15 May.

Schedule of speakers

10:30AM  Opening remarks

10:45AM  Chloe Davies, Reprieve and ZeroDB (London)
       on music torture

11:30AM  David Peisner, SPIN Magazine
       "Bring The Noise: How music found its way into American
       interrogation booths"

12:15PM  John Hamilton, Comparative Literature, NYU
       "Torture as an Instrument of Music" (on the brazen bull of
       Phalaris)

1:00PM  LUNCH  +  ZeroDB silent protest recording session

2:00PM  Thomas Levin, German, Princeton University
       "Diabolus in Musica: A Playdoyer for Painful Sounds"

2:45PM  Branden Joseph, Art History, Columbia University
       "Biomusic"

3:30PM  Keynote address by Mark Danner, Chace Professor of Foreign
       Affairs, Politics, and Humanities

4:15PM  Roundtable discussion moderated by Suzanne Cusick, Music, NYU

5:00PM  Closing remarks

In the event of rain, all events will take place in the Multipurpose Room,
Bertelsmann Campus Center.

Additional support for the conference provided by the Goethe-Institut New
York.

Please let me or Danielle Riou (riou@bard.edu, x 7110) know if you have any
questions.

- Tom Keenan


My recording reissued!

My CD recording “Slainte from Ulster County N.Y. Irish Music of the Catskills” from 20 years ago has now been reissued! If you are interested in getting a copy, contact me at bobluskmusic@gmail.com The price is $15 (includes shipping).

Bob Cohen's NEWEST PROJECT: A 4-CD SET FOR ALL OUR GRANDCHILDREN


From: ROBERT COHEN rcohen4@hvc.rr.com

Friends:
 
Attached is the story of and the list of songs on my newest CD project: "Grandson Beecher & Grandpa Bob's Songbook for All Grandchildren Everwhere" - that's GBGBSAGE in case you like to say it all in one breath. I have sung all 131 songs in the Reader's Digest Children's Songbook which is a favorite of our grandson, Beecher Woods Robbi.  The songs range from Sesame Street, Wizard of Oz and Disney movie pieces to nursery rhymes, folksongs, and novelty numbers.  I accompany myself on piana, guitar, autoharp and accordion (but not all at once!)  It is a fun filled informal rendering (mistakes included) that should get your grandchildren singing, dancing, and laughing.
 
I am making it available for $25 plus postage ($2.53) for anyone who wants to gift their grandchildren with these wonderful songs, or even enjoy it with your own inner-grandchild. The 3-page listing of songs and the story of how this CD came to be (see the attached) will be sent along with the 4-CD set.   
 
I don't have fancy-shmancy ways for you to pay, so if your interested (look over the song list) you can send a check, made out to me, to P.O.Box 651, Hurley, NY 12443 and I will mail it out to you post-haste.
 
You are the first, aside from our grandchildren, to know about this.  May I wish you a joyous and loving Pesach (Passover) and Easter and a prayer for a warm and peace-filled Spring in which the new green of the season will stir the green in our wallets and our country will, as it always has, meet the challenges that lie ahead.
 
Shalom, Bob
845 338-6180 or cell: 845 309-3041
 
P.S. The cover page of the program notes has colorful pictures of me, Beecher, and me & Beecher.  It was too complicated to send out into cyberspace but you will have it with the set.  Our dear friend, Estelle Nadler designed it.  Another dear friend, Bruce Berky recorded the whole megillah, and one other dear friend, Bill Ayton who designed my website - www.cantorBob.com posted it there. Of course, Pat and the grandchildren were the inspiration throughout.
 
Songbook Order Form & CD song program attached.

Musicians wanted

From Jim Marzano -
Dear Hudson Valley Folkies~  Anyone wishing to participate in our "Songs of the Hudson Valley" Open Mic night please get in touch as we still have a few openings.  Our "Open Mic" is not like any other as we like to present about 6 acts with a 20-30min set each.  The food is great & I always share the door with the musicians, so if you can get out your base, the better we do, the better you'll do.
keep lookin up...jbo~*(:-)>
 
 Contact Jim Marzano -

A.I.R. Studio Gallery
(Artist-In-Residence)
71 O'Neil St, Kingston, NY
http://www.AirStudioGallery.com/

Remembering the Women's Orchestra of Birkenau

Music in Desperate Times: Remembering the Women's Orchestra of Birkenau

One night only
Host:
Ars Choralis
Type:
Network:
Global
Date:
Saturday, March 28, 2009
Time:
8:00pm - 11:00pm
Location:
The Cathedral Church of St. John the Divine
Street:
1047 Amsterdam Ave.
City/Town:
New York, NY
Phone:
2123167490
Email:

Description

Ars Choralis (the group I sing with) presents "Music in Desperate Times: Remembering the Women's Orchestra of Birkenau," conceived and conducted by Barbara Pickhardt. "Music in Desperate Times" is a choral concert interweaving orchestral music with spoken memoirs of the World War II women's orchestra and songs of hope, peace and resistance.

Based on memoirs and histories of survivors of the only women's orchestra to play in World War II concentration camps, this concert recreates the unusual instrumentation of the orchestra: violins, mandolins, accordion, recorder, flute, cello, piano, percussion, and singers. The story is told through readings, choral music and representative orchestral music.

For tickets, visit:
http://www.stjohndivine.org/DesperateTimes.html

North American Urban Folk Music 1940-1960

You are invited!

North American Urban Folk Music 1940-1960
Saturday
March 28, 2009
1:00-10:00 PM

Elisabeth Irwin High School
40 Charlton Street
Between Varrick Street and Sixth Avenue
New York, NY 10014


Sponsored by New York Pinewoods Folk Music Club
(Folk Music Society of New York, Inc.)

Hosted by Little Red School House and Elisabeth Irwin High School
(LREI, Inc.)

Come celebrate the North American urban folk music community of the 1940s and 1950s,
and pay tribute to the people who were part of it.

Schedule of events
1:00 - 1:55 PM: The Urban Folk Music Community: an Overview
2:00 - 2:55 PM: Women of the Folk Community
3:00 - 3:55 PM: Families of the Folk Musicians
4:10 - 6:00 PM: The Songs We Sang
6:00 - 7:30 PM: Dinner break
7:30 - 10:00 PM: Evening Concert

Participants (partial list)
Prof. Ray Allen
Oscar Brand
Anna Guthrie Canoni
Rochelle Goldstein
Dottie Miller Gutenkauf
Richard Hawthorne
Lori Holland
George Pickow
Jon Pickow
Jean Ritchie
Tony Saletan
Roger Sprung
Dr. Anna Lomax Wood
Hal Wylie
plus others TBA
 

All event general admission: $40.
NY Pinewoods members and LREI faculty, staff, parents, and alumni: $30.
Children and F/T students under 23: $20.

Afternoon only or evening concert only general admission: $25.
NY Pinewoods/LREI: $20.
Children and F/T students under 23: $ 15.

For more information please visit the website 
www.folkmusicny.org or call 718-672-6399.

Lincoln symposium

From Les Herring

For those of you as batty about history as me, there will be a daylong symposium on Lincoln at Bard College on Friday march 13.  It will feature the Lincoln scholars Harold Holzer and james Oakes and cover several topics.  It runs from 10am to 5pm in Olin Hall on campus.  www.bard.edu.

Books for troops

I usually don't post stories like this, but I'll be playing at Donna's bookstore, the Hudson Valley Guild on 3/13 at 7:30.  Come on by and help celebrate the birthday of this remarkable woman.
 
From: Donna Favicchio brighidscove@optonline.net
I thought this was a great human interest story. ... As all of you know by now I have been trying to get rid of some books in order to make room new stock, well I hooked up with 'Operation Paperback' to send books to the troops; but on the whole, it is individuals collecting books and mailing them and/or raising money to mail them. So I, as one of those individuals, would be hanging on the those books for awhile, because our entrepreneurial shoe-string budget really wouldn't afford that postage right now. ...
 
Then a friend suggested donating them to the prison system, and went so far as to find me all of the contact information so all I had to do is compose an e-mail. ...Before I contacted NYState prison system,  I contacted Sue Story, founder of 'Operation Paperback' and told her I had all of these books I couldn't afford postage for, plus piles of hard-covers, and I had an opportunity to donate them to the prisons. ... She thought by all means that these books should go to the prison libraries instead of sitting in storage; and that to put a book in an inmate's hands could be part of a transformation.
 
So I contacted the prison. I was initially told that they wanted the books and they would make arrangements to pick them up. I was ecstatic!  So Tom Testo, Senior Librarian at Hudson Correctional Facility, contacted me, and when hearing that I had so many paperbacks and hardcovers as well, he decided they didn't have room for them afterall. ...He was very nice and in conversation I mentioned how I originally wanted to send the paperbacks to troops and have him take only the hardcover; but that I couldn't afford the postage. ... When he hung up said he would see what he could do and get back to me. I wasn't sure what he meant. ...
 
Less than 24 hours later he called back and said the inmates had collected $200.00 for postage for me to send the paperbacks to the troops! Not state money, money that they make or is given to them. I was so touched by this.
 
...If you want to donate anything to this cause go to http://www.operationpaperback.org/ All monies go directly for postage. Just a few dollars will put a book in the hands of one of our troops.

Fisher Poets Gather for Verse, Song and Stories

From Jan Christensen

    A fascinating story of the annual meeting of poets and singers in
Astoria, Oregon. Use the URL below (free New York Times registration
may be required) to hear and see the interactive feature of poems and
songs, and view the slide show.
Jan

http://www.nytimes.com/2009/03/04/us/04poets.html?hp

Fisher Poets Gather for Verse, Song and Stories

Dave Densmore, on his boat, wrote his first poem as a joke in the
1970s. Now he studies writing.

By WILLIAM YARDLEY

Published: March 3, 2009 (The New York Times)

ASTORIA, Ore. — Work, sometimes just the memory of it, is what brings
the fisher poets to this faded port at the mouth of the Columbia River
for a weekend each year.

  Stuart Isett for The New York Times

Max Broderick reads his poem. His father, Jon, helped start the Fisher
Poets Gathering in 1998.

They might wax about the versatility of a deck bucket or of romance in
rubber boots, but they also describe a livelihood that can kill those
who pursue it. And at a time when industries everywhere are in
decline, this year some said that increasingly restrictive fishing
laws had long ago taught them about struggle.

"The bailout is there for bankers," said Jon Campbell, a former
fisherman from Rhode Island, reading Saturday night from what he
called a work in progress, "but they're out to sink the fleet."

That line met rousing applause here at the annual Fisher Poets
Gathering. First held in 1998 with a few people standing on a stage in
a bar, the event now fills a weekend with verse, song and storytelling
across four sites. Given the economy, attendance was somewhat lower
this year than in the past. Then again, populism played particularly
well. Camp converged with oceangoing cred. Old salts dazzled
California transplants. Even a bad day of fishing, it seems, can
produce a decent rhyme. Or not.

"I have to set aside my English-teacher hat now and then," said Fred
Chancey, recently retired from Chemeketa Community College in Salem,
Ore., who showed up for the second year in a row, just to listen. "But
a lot of it is really good stuff. I like the blue-collar school of
poetry."

The gathering generates what Mr. Chancey called "friction," a
constructive tension between those who have accumulated real
experience at sea and those who are drawn to them. Looks can be
deceiving. Some participants seem more city than seaworthy but can
recount years on deck. Others look the part but mostly like the lore.

A few performers, like Mr. Campbell, have Web sites. Others, too busy
fishing, write only when the gathering presents a deadline. Still
others face parental expectations.

Max Broderick, 20, a junior at Humboldt State University who is
majoring in natural resource planning, has fished his family's
commercial site on Bristol Bay in Alaska each summer since he was 13.
On Saturday night, he recounted one dreamlike haul:

As it turns out, this set saves the day,

Because the fish train hits

and now we're being highly paid.

With each jag that comes over the roller of kings, reds and chums,

This business of fishing has instantly become more fun.

Mr. Broderick's father, Jon, teaches English and other subjects at
Seaside High School, just south of Astoria and helped start the Fisher
Poets Gathering. Jon Broderick said he was motivated by an interest in
storytelling and because "work was a better subject than love."

For a few fishermen, the event has helped introduce them to a new
audience. Dave Densmore, 62, of Knappa, Ore., said he wrote his first
poem as a joke while hung over one morning in the 1970s. He read it to
fellow fishermen over a VHF radio off Kodiak, Alaska. Now Mr. Densmore
gets calls to perform on Martha's Vineyard, Mass., in the middle of
salmon season and has to decide what to do. He says he chooses
fishing.

"Those are the people I want to talk to," Mr. Densmore said of the
affluent coastal residents who have shown a steady interest in his
stories. "Not that I want to benefit, but I want the industry to
benefit. We're being managed to death."

Mr. Densmore grew up on the Aleutian Islands, where his parents were
missionaries. Writing was not an early interest; now he studies with a
teacher from the local community college.

On Saturday morning, he held an "open boat," inviting attendees of the
gathering into the galley of his salmon fishing boat, the Cold Stream.
Retirees in trim weatherproof jackets marveled at his hard-work hands.

"This is the closest I've been to a boat like this," said Ted Osborn,
an architect who, with his wife Wendy, is waiting for their new
retirement home overlooking the Columbia to be completed. "We lived
for 30 years in Southern California, where pretentiousness is king.
This place is much more real."

The Clatsop County Historical Society is preparing for Astoria's
bicentennial celebration in 2011, two centuries after John Jacob
Astor's Pacific Fur Company established a trading post here. Timber
and fishing followed the fur trade. Struggle came when other ports
rose, dams were built and resource industries faded. The population,
about 10,000, has been flat for decades, though downtown is shifting
toward art and espresso. Victorian houses clutter hillsides, some
brightly renovated, others falling apart.

The most striking legacy of the past is the pilings that rise
everywhere out of the river, with no apparent purpose. They used to
support scores of salmon canneries. Now the new Cannery Pier Hotel
rests on one century-old set beneath the Astoria-Megler Bridge, which
crosses the river to Washington State.

Of course, fresh fish from the region is favored now, not canned.
Entrants in the gathering's "on-site" poetry contest on Saturday night
were told barely 24 hours earlier that submissions had to be at least
eight lines, take less than a minute to read and include the phrase
"you might be missing fish."

Rob Seitz, who cycles nearly year round through cod, whiting and
Dungeness crab seasons on his 80-foot steel boat, placed third with
these verses:

If your son is not intimidating

On the line of scrimmage,

If your daughter's report card

Is not the brightest image,

If your children are not turning out

As healthy as you'd wished,

Perhaps on your dinner table

You might be missing fish.

Mr. Seitz, 42, said he wrote only once a year, on gathering weekend in
Astoria. But he does prepare.

"On the boat, I don't have a TV," he said. "We just read."

Congratulations to me!

After 2 1/2 years of study at the Swaranjali Hindustani Classical
Music School I finally finished the first year, (level 1, Bal
Sangeet, by Pandit Vinayakbua Patwardhan). This by the way is a class
that young children do very well in. The instructor, Anjali Nandedkar
is a very patient dedicated teacher. www.swaranjalimusicschool.com

Dance Flurry

Was only able to go to the Saratoga Dance Flurry for the day. What a
wonderful time! Played dobro at some unlikely jams including Waltz,
Cape Breton and Old Timey. Cape Breton not that much of a stretch as
there has always been a strong C&W influence there. (But ow, the key
of A).

Also had a good workout on the fiddle and concertina, saw so many old
friends. Next year we're there for the weekend.

Then back to Saugerties to the Democratic Party party/dance with
Doctor Romo and the group "Too Much Fun" at the old Sach's Lodge -
Total Tennis. After not dancing at the Dance Flurry, Michelle
actually got me out on the floog for a few whirls and waltzes. Happy
Valentines!

Tomorrow Shape Note Singing.

Valentines Day Dance

VALENTINE'S DAY DANCE
SATURDAY FEB. 14, 2009
AT
TOTAL TENNIS CLUB
1811 OLD KINGS HWY.

SPONSORED BY SAUGERTIES DEMOCRATIC COMMITEE.

DANCING, RAFFLES, DESSERTS, COFFEE, TEA, CASH BAR

MUSIC BY TOO MUCH FUN*

TOO MUCH FUN plays a mix of Bluegrass, Old Time, Cajun/Zydeco, and Americana.

Jerome Cimino: Guitar, vocals
Mira Fink: Mandolin
Doctor Romo: Fiddle, Accordions, Vocals
Jim Sullivan, Banjo, Bass, Vocals
Special guest appearance: Vida Nathanson: Fiddle/percussion

The event is from 8pm- 11 pm

Contact Harriet: 845-246-1138

Romo

SAUGERTIES, NY

Who needs books?

My new favorite site -

http://www.traditionalmusic.co.uk/

Traditional Music of the Hudson River Valley

 

 

DUTCHESS COMMUNITY COLLEGE

MUSIC SCHOOL

SPRING 2009

 

Traditional Music of the Hudson River Valley

 

 

mUX725 Traditional Music of the Hudson River Valley

(2 Sessions) This course will cover traditional regional and historic music of the Hudson River Valley. No musical experience is required, but experienced musicians and singers will have a chance to increase their repertoire with "Home Grown" music of the corridor from Albany to New York City. We will study the major local collections of music including, colonial songs from the Allison family, songs of Henry Backus "The Saugerties Bard" from the 1850's and songs and dances from Camp Woodland in the 1950's. Examples will include songs of the railroaders, quarrymen, lumberjacks, steamboat captains, and apple growers. We will also include 20th Century songs by folksong writers such as Grant Rogers, Les Rice, William Geckle, Ken Gonyea, Mark Fried, Rich Nestler and Pete Seeger.

 

Fee free to bring instruments to the class

 

Instructor: Robert Lusk

5005          10     7:00 p.m. - 8:30 p.m.           (W) 2/11/09 – 2/18/09           $35.00

 

For additional information contact Julie Wegener, Director,

DCC Music School at 845-431-8916

 

OFFICE OF COMMNITY SERVICES

53 PENDELL ROAD

POUGHKEEPSIE, NY    12601

 

To Register: call 845-431-8910

 

 

REFUND POLICY

Refunds for withdrawal from non-credit courses will be given if requested prior to the end of the business day preceding the day the course starts. If a refund request is approved for a course, a $5 processing fee will be deducted from the refund. Full refunds will be given for all courses that are cancelled by the College.

 

Gigs

I'll be teaching Wednesday 2/11/ and 2/18/09 at Dutchess Commuinity College -Music of the Hudson River Valley from 7-8:30 pm. No musical experience is required, but experienced musicians and singers will have a chance to increase their repertoire with "Home Grown" music from our area. We will study the major local collections of music including area colonial songs from the Allison family, songs of Henry Backus "The Saugerties Bard" from the 1850's and songs of the steamboat captains, and apple growers.
We will also include 20th Century songs by folksong writers such as Les Rice, William Geckle, Ken Gonyea, Rick Nestler and Pete Seeger.

2/20/09 I'll be singing at the Muddycup in Kingston doing pure unabashed "Folk Music" 7:30 pm donation.

Wednesday 3/4/09 and 3/11/09 Dutchess Commuinity College - Vocal Toning 7-9 pm. Toning is very old and basic to many traditional cultures. Much of religious chant involves toning. It consists of non-verbal conscious elongation of sounds, using the breath and voice, similar to sighing, moaning, chanting yawning and humming. It has applications for meditation, healing, musical performance, personal transformation and spiritual journeys

Singing Festival

Singing Festival
Posted by: "sallypotter100@aol.com" sallypotter100@aol.com
Thu Jan 29, 2009 3:06 pm (PST)
To folks who love to sing:

Just a short message to remind singers of the existence of the seventh annual Mid-Winter Singing Festival taking place next weekend, Feb. 6-7, 2009?in East Lansing, Michigan. (
www.singingfestival.com)

It is?a weeknd where 1000+ people get together to sing. Just to sing. That's it.

Song leaders lead. Everyone has the lyrics (no music). The songs are the real?stars of the whole weekend.

Personally, I dream of every folk community having an event where everyone can participate. Why not?

Over?the past few days, the discussion has centered around folk music (what is it, what are it's roots, etc...). This Festival eliminates the need, and?desire to care about?any of these definitions.

All weekend long, we sing great songs...songs?which?are good for eveyone to sing along with: Motown, Tin Pan Alley, The Hit Parade, Old Time, Protest Songs, Top 40...you name the genre and over seven years, we have tapped its best songs.

Song leaders are wonderful musicians who can lead songs (not 'perform' these songs - at least not in this setting). On Friday and Saturday nights we hold two huge 500-person Community Sings. On Saturday afternoon we hold 12 singing workshops, each with a different theme, led by the evening?song leaders and additional folks from the community.?

Please check out the web site and if you don't already, think about producing such an event in your neck of the woods. ?If you have any questions, please feel free to email me or give me a call (I'm in the book - Lansing, MI).

As we say at the Singing Festival, "Without you, there is no sound."

Thanks for reading,

Sally Potter

www.singingfestival.com
sallypotter100@aol.com

Charlie King on Politics and the "Power of Song"


 
Charlie King on Politics and the "Power of Song"
Posted by: "George Mann" georgeandjulius@att.net   georgeandjulius
Thu Jan 29, 2009 3:09 pm (PST)
The great folksinger and songwriter Charlie King (http://www.charlieking.org) presented these thoughts at a Peoples Music Network gathering last week and I'm reprinting them here.... powerful stuff from a committed singer/activist-- G

I'm imagining political music on a spectrum with the Freedom Singers at one end and the Capital Steps at the other. The variable is advocacy: Which Side Are You On? I like political songs that take sides, name names and fight for very specific goals. Every time the Freedom Singers sang they were moving along the cause of freedom and justice. I like songs that build bridges, songs that open people's minds to new possibilities. I like songs that help me look at some reality in a totally new way.

Political songs should build community among the people who hear them and the people that sing them. They should strengthen solidarity and bring out the best in every person they touch. We should sing each other's songs. All of us on this panel sing each other's songs. We should sing traditional songs that that tell our history. I used to sing and record mostly my own songs. I was a lot lonelier because of that and my repertoire was a lot leaner. Our union, Local 1000, builds community. Some of the best work I've done as a political performer has been helping to build Local 1000.

Utah Phillips tells us that the long memory is our most radical resource. I like songs that remember our history and make us hopeful about the future. Appleseed's recording of songs of the Spanish Civil War does that. Michael Smith and Jamie O'Reilly also did a fine recording of those songs. Karen Brandow and I have been doing scripted performances of songs from the Civil Rights Movement, 1955 to 1967. We do a similar piece on the trial of Sacco & Vanzetti. These historical memories shine a powerful light on the present and offer ideas, strategies and hopes for the future.

I like songs that are useful. Some times a quick parody that hits the nail on the head or celebrates the local heroes is better than a well-crafted song that floats above the fray.

Concerts aren't the best environment to use music for good political purpose. There are competing demands. I'm supposed to be entertaining, I want people to like me, my ego gets in the way. Here are some settings where I do better work:

The Journey of Hope is an annual pilgrimage against the death penalty. Karen and I travel with it for as long as 17 days at a stretch. We become part of the Journey, part of that community. We do lots of different work – drive people around, carry boxes, get petitions signed. Steve Earle does this kind of work too. And every time we sing the music has a purpose: to refresh and encourage the community of travelers; to open up audiences to alternatives to capital punishment; to put a human face on the men and women on death row.

School of the America's Watch. I don't know any other movement around today that uses music as thoroughly and effectively as SOAW. Every time they put a speaker they follow it with a song. We hit the mic's 10 or 12 singers at a time. The focus is on the song, not the singer. We're singing to energize 10,000 people who've traveled from all over the country and are standing in blazing sun or pouring rain for 5 hour vigils and demonstrations. When the demonstration is over for the day they send us around to non-violence training centers, special interest caucuses, meetings of people on their way in or out of jail. The music is always connected to the issue at hand.

Labor Struggles. The United Farm Workers taught me the politics of music over 30 years ago. Labor struggles change people's lives. For many American's it's the most powerful they will ever feel, the most democratic exercise they will ever do. Even when they lose, as they did in the Hormel strike at Austin MN in the mid-80s, their lives open up and change and they look back with few regrets. It's easy for a singer to become part of a labor struggle. The issues are clear, the targets are big, the heroes are your friends and neighbors. People are so used to having their lives trivialized by our culture, so when you sing a song that celebrates their lives, that takes them seriously it's an amazing event. It's good work and it's thrilling.

I like to sing in hospice settings, especially one on one. I sit at someone's bedside, chat, figure out their age, try to sing a song that was popular when they were in high school, try to sing a song that looks at death, loss, leaving – honest and compassionate songs. The most amazing and powerful things have happened when I sung in hospice. I've never felt more useful as a singer. I think that's very political.

--
George Mann and Julius Margolin

http://www.georgeandjulius.com
http://www.georgemannmusic.com
http://www.aunionman.com
Labor and protest music in the finest tradition

Seeger and Obama

 

From  http://dacurmudge.livejournal.com/

 

04:36 pm - "Music sends a message to America" (article from LA Times) reporting on the 1/18 Inaugural Concert

This past weekend I spent some time reading different reviews of the 1/18 Inaugural Concert on the steps of the Lincoln Memorial.  Now I hadn't planned to spend so much time reading, but the more I read the more uncomfortable I became.  Across the country it seemed as if America's problems and possible solutions were seemingly being ignored by so many journalists. 

A major opportunity was missed when these writers chose instead, to focus on the entertainment ("feel good") value and superifically pay homage to the celebrities present..  What seemed truly ironic was that the one voice- that of Pete Seeger was present but for the most part ignored.  The one man who has been saying for so many years if only "we the people" could work together we could resolve our issues.

One newspaper (from a large West Coast city) ran a picture of Pete Seeger and Bruce Springsteen. To assist the reader who might not know which was whom, when you moused over the performer his name popped up. So, not too surprisingly, mousing over Bruce Springsteen resulted in his name popping up.  However, when you moused over Pete Seeger he was also identified as Bruce Springsteen.  Moving along, another (this time a major East Coast city) newspaper forgot to mention Pete Seeger at all. 

The majority of the press articles read this weekend made it sound almost as if Seeger and Springsteen were an up and coming folk rock group. The Presidential Inaugural Committee listed a number of performers for the event but in all fairness to the committee they did acknowledge it was not a complete list (and did not include Pete Seeger).  CNN led off their coverage with a description of the roaring crowd and ...high energy acts such as U2, Mary J. Blige, Usher and Beyonce.

All but missing was any awareness that Pete Seeger has been singing to presidents about issues of economy, healthcare, peace, taking care of our military for more than 68 years.  March, 1941 he was invited to perform for Eleanor Roosevelt at the White house honoring US military serving in WWII. 


It was bittersweet to read repeatedly of Pete Seeger being asked to join (as in back up) Bruce Springsteen on the steps of the Lincoln Memorial in the the singing of "This Land is Your Land." originally written by Woody Guthrie and performed initially by the "Almanac  Singers" in 1940, a folk quartet later black balled by the U.S. Senate.  Today only one person from this infamous quartet remains alive- Pete Seeger. 

The redeeming aspect of the concert was provided by(then still) President-Elect Obama when he joined Pete to share an intimate exchange between two great men from different generations both of whom have worked so hard on behalf of all of us.  With Pete's grandson Tao Rodriguez-Seeger present, one could not miss the significance of history being made- Obama and Seeger talking on the steps of the Lincoln Memorial with Martin Luther King, Jr day being celebrate the next day.  Among his many accomplishments Pete Seeger also Marched with Martin Luther King, Jr.

So what can we do today?  One suggestion- go to: 
http://www.nobelprize4pete.org/resources.html click the link on the left that says "sign the petition" and become one of only 23,000 people so far to sign the petition requesting that Pete Seeger be nominated for the Nobel Peace Prize.  If Pete Seeger doesn't deserve the Nobel Peace Prize then who does?  If not awarded to Pete Seeger perhaps the Nobel Peace Prize should be retired as no longer relevant in a greed driven corporate America.

Bob Lusk on Imprint

My version of "Mary's Wedding",  "Kathy's wedding" is on this weeks' edition of the radio show Imprint. Imprint can be heard daily on Catskill Community radio www.catskillradio.org and Saturdays at 5pm on WUOW 104.7FM Oneonta Community radio www.wuow.org.

NYC event 3/28/09


 
North American Urban Folk Music 1940-1960
A Celebration and Tribute
Saturday • March 28, 2009
1:00-10:00 PM

To be held at Elisabeth Irwin High School
40 Charlton Street
Between Varick Street & Sixth Avenue
New York, NY 10014
Sponsored by the New York Pinewoods Folk Music Club
(Folk Music Society of New York, Inc.) 


Come celebrate the North American urban folk music community of the 1940s and 1950s, and pay tribute to the people who were part of it.


Schedule of events
1:00 - 1:55 PM: The Urban Folk Music Community: an Overview
2:00 - 2:55 PM: Women of the Folk Community
3:00 - 3:55 PM: Families of the Folk Musicians
4:00 - 6:00 PM: Song and Story Circle
6:00 - 7:30 PM: Dinner break
7:30 - 10:00 PM: Evening concert

Participants (partial list)
Prof. Ray Allen
Oscar Brand
Anna Guthrie Canoni
Rochelle Goldstein
Dottie Miller Gutenkauf
Richard Hawthorne
Lori Holland
Matt Jones
George Pickow
Jon Pickow
Jean Ritchie
Tony Saletan
Roger Sprung
Dr. Anna Lomax Wood
Hal Wylie
plus others TBA 

All event general admission: $40.
NY Pinewoods members and LREI (Little Red School House - Elisabeth Irwin HS) faculty, staff, parents, and alumni: $30.
Children and F/T students under 23: $20.

Afternoon only or evening concert only general admission: $25.
NY Pinewoods/LREI: $20.
Children and F/T students under 23: $ 15.

For more information please visit the website http://www.folkmusicny.org or call 718-672-6399.